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In the Country of Men By Hisham Matar

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From Publishers Weekly
Starred Review. Shortlisted for the 2006 Man Booker Prize, Matar's debut novel tracks the effects of Libyan strongman Khadafy's 1969 September revolution on the el-Dawani family, as seen by nine-year-old Suleiman, who narrates as an adult. Living in Tripoli 10 years after the revolution with his parents and spending lazy summer days with his best friend, Kareem, Suleiman has his world turned upside down when the secret police–like Revolutionary Committee puts the family in its sights—though Suleiman does not know it, his father has spoken against the regime and is a clandestine agitator—along with families in the neighborhood. When Kareem's father is arrested as a traitor, Suleiman's own father appears to be next. The ensuing brutality resonates beyond the bloody events themselves to a brutalizing of heart and mind for all concerned. Matar renders it brilliantly, as well as zeroing in on the regime's reign of terror itself: mock trials, televised executions, neighbors informing on friends, persecution mania in those remaining. By the end, Suleiman's father must either renounce the cause or die for it, and Suleiman faces the aftermath of conflicts (including one with Kareem) that have left no one untouched. Suleiman's bewilderment speaks volumes. Matar wrests beauty from searing dread and loss. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School—This is the story of the impact of small revolutions, not on the men and women who participate in the upheavals, but on the children who barely understand the world in which they find themselves. Suleiman is a nine-year-old in Qaddafi's Libya, proud of his country and his father, and worried about his mother's "illness." He is unprepared to understand the danger his father, a believer in democracy, is in, or the role that he, just a child, must play to protect his family. What is most disturbing is that he must play the games of adults, but without knowing the rules. There is no heroism here, only fear, betrayal, and mistrust. This is a difficult book: the characters are fatally flawed, the plot revels in the gray area of a child's memories and immature perceptions, and in the end there is little redemption. The plot unfolds credibly through the boy's eyes, and it is readers who shed light on the secrets. There is no judgment, and yet there is a heavy patina of guilt in the narrative. Well written, with evocative descriptions of heat and landscape that intensify readers' experience, the story lingers long after the book is closed. Teens serious about understanding the complex nature of patriotism will find much to ponder here.—Mary Ann Harlan, Arcata High School, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Short-listed for both the 2006 Man Booker Prize for Fiction and the Guardian First Book Award, Hisham Matar's novel, widely published, raises comparisons to Khaled Hosseini's The Kite Runner (***1/2 Sept/Oct 2003). Critics agree that Matar's poetic, visual prose reflects a skill and maturity often lacking in first novels. Of the two points of view which Matar employs, the perspective of the young child narrator is effective and at times even chilling, as the baffled and terrorized Suleiman attempts to unravel the complexities of the adult world and the brutality of Libyan politics. Certainly Matar, who left Libya at age nine and whose father was also a political dissident, shares characteristics with his protagonist. The only flaw? A relatively weak conclusion.
Copyright © 2004 Phillips & Nelson Media, Inc.
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